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Margaret Atwood - Learning to Hide the Exposition
Margaret Atwood - On Her Creative Process
Margaret Atwood - The Neurology of Reading
a-quiet-green-agreement:–Margaret Atwood
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hvorenn: “You would rather have gone on feeling nothing, emptiness and silence; the stagnant peace of the deepest sea, which is easier than the noise and flesh of the surface.” — Margaret Atwood, from Eurydice in “Selected Poems II: 1976-1986″
adrasteiax:Margaret Atwood, from Siren Song in “Selected Poems I: 1965-1975″
romanceangel: “I touch you, I am created in you”— Margaret Atwood, from I Was Reading a Scientific Article
tormunnd: “I used to say I’d know you anywhere, but it’s getting harder.” — Margaret Atwood, “Shapechangers in Winter” from Morning in the Burned House (via lovedbyapollo)
violentwavesofemotion: Margaret Atwood, from The Collected Poems; “Dream 2: Brian The Still-Hunter,”
wishbzne: margaret atwood, ‘power politics poems’[ID: “We are hard on each otherand call it honesty,” end ID]
heartshop: Margaret Atwood, from Power Politics
violentwavesofemotion: “Maybe she would absorb some of the darkness, which might not be darkness at all but only knowledge.” — Margaret Atwood, from Moral Disorder and Other Stories; “Monopoly,”
wishbzne:hesitations outside the door, margaret atwood[ID: “Should we go into ittogether / If I go into itwith you I will never come out” end ID]
unchildhood: MARGARET ATWOOD x WALTON FORD ‘Let Us Now Praise Stupid Women’, Good Bones and Simple Murders (1994); Gleipnir (2012), watercolor, gouache, ink, pencil on paper, 69" x 120" x ½".
dearophelia: “Tell me where it hurts, she’d say. Stop howling. Just calm down and show me where. But some people can’t tell where it hurts. They can’t calm down. They can’t ever stop howling.” — Atwood, Margaret. The Blind Assassin (via
quotemadness: “Strange how we decorate pain.” — Margaret Atwood
facinaoris:Interlunar, Margaret Atwood
aradeia: “Was it lust or hunger? How could I tell the difference?” — Margaret Atwood, from Stone Mattress: Nine Wicked Tales; “Lusus Naturae,” (via bluebeardsbride)
derangedrhythms:Margaret Atwood, The Journals of Susanna Moodie; from ‘Daguerreotype Taken In Old Age’
derangedrhythms:Margaret Atwood, from ‘Power Politics’
derangedrhythms:Margaret Atwood, from ‘Interlunar’
eliamatrell:— MARGARET ATWOOD, from ‘Cat’s Eye’.
derangedrhythms:Margaret Atwood, Interlunar; from ‘Metempsychosis’
violentwavesofemotion: “…a dark angel whispering to me to be easy on myself.” — Margaret Atwood, from Selected Poems: 1976 - 1986; “Half-Hanged Mary,” (via violentwavesofemotion)
xshayarsha: “The trick, I whisper, is to see things before they see you.” — Margaret Atwood, from Bluebeard’s Egg.
florizels:“But in life, tragedy is not one long scream. It includes everything that led up to it.” — Margaret Atwood, The Blind Assassin
voirlvmer:Margaret Atwood, from “There Are Better Ways of Doing This”
roadmotel:Margaret Atwood, Morning in the Burned House
derangedrhythms:People change, though, especially after they are dead.Margaret Atwood, Bluebeard’s Egg; from ‘Betty’
Margaret Atwood > Your Mom
vintagebooksdesign: Dystopian Trilogy George Orwell’s 1984 and Aldous Huxley’s Brave New World join Margaret Atwood’s The Handmaid’s Tale to complete our dystopian trilogy of books featuring the designs of Noma Bar. All three books are out now.
Miranda
𝕯𝖆𝖗𝖑𝖎𝖓𝖌 𝕯𝖔𝖑𝖑
ab intra | ad undas.
I HEAR IT IN THE DEEP HEART'S CORE
stay sweet
heartshop: Margaret Atwood, ‘Corpse song’
sadsarah: MARGARET ATWOOD x WALTON FORD ‘Let Us Now Praise Stupid Women’, Good Bones and Simple Murders (1994); Gleipnir (2012), watercolor, gouache, ink, pencil on paper, 69" x 120" x ½".
altlast: “But the past is a closed door, and she can’t see any future. Maybe she’ll go on from day to day and year to year until she simply withers, folds in on herself, shrivels up like an old spider.” — Margaret Atwood, from “The Year of
requiem-on-water: “Strange how we decorate pain.” — Margaret Atwood, Morning in the Burned House
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